logo for University of Minnesota Press
Robert Penn Warren
University of Minnesota Press

John Greenleaf Whittier's Poetry was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

In this volume Robert Warren Penn, the noted critic, poet, and novelist, provides a major new appraisal of the once enormously popular New England port, John Greenleaf Whittier, along with his selection of 36 of Whittier's poems. Through Warren's perceptive and illuminating discussion, the significance of Whittier as a writer for our time becomes clear. In his introduction Warren shows that Whittier's deep commitment to his fellowman, especially his devotion to the cause of abolition, profoundly influenced his writing. In his estimate of Whittier's place in literature, Warren invokes the questions What does the past mean to an American? and in this context he compares Whittier with Cooper, Hawthorne, Melville, and Faulkner. He finds that Whittier's "star belongs in their constellation. If it is less commanding than any of theirs it yet shines with a clear and authentic light."

[more]

logo for Harvard University Press
Democracy and Poetry
Robert Penn Warren
Harvard University Press, 1975

In these two essays, one of America’s most honored writers fastens on the interrelation of American democracy and poetry and the concept of selfhood vital to each. “I really don’t want to make a noise like a pundit,” Mr. Warren declares, “What I do want to do is to return us—and myself most of all—to a scrutiny of our own experience of our own world.” Indeed, Democracy and Poetry offers one of the most pertinent and strongly personal meditations on our condition to have appeared in recent letters.

Our native “poetry,” that is, literature and art, in general, is a social document, is “diagnostic,” and has often been a corrosive criticism of our democracy, Mr. Warren argues. Persuasively, and movingly, he shows that all of “art” and all that goes into the making of democracy require a free and responsible self. Yet the American experience has been one of the decay of the notion of self. Our astounding success jeopardized what we promised to create—the free man. For a century and a half the conception of the self has been dwindling, separating itself from traditional values, moral identity, and a secure relation with community. Lonely heroes in a bankrupt civilization, then protest, despair, aimlessness, and violence, have marked our literature.

The anguish of Robert Penn Warren’s own poetic vision of art and democracy is soothed only by his belief that poetry—the making of art can nourish and at least do something toward the rescue of democracy; he shows how art can be- come a healer, can be “therapeutic.” In the face of disintegrative forces set loose in a business and technetronic society, it is poetry that affirms the notion of the self. It is a model of the organized self, an emblem of the struggle for the achieving self, and of the self in a community. More and more as our modern technetronic society races toward the abolition of the self, and diverges from a culture created to enhance the notion of selfhood, poetry becomes indispensable.

Compelling, resonant, memorable, Democracy and Poetry is a major testament not only to the vitality of poetry, but also to a faith in democracy.

[more]

logo for University of Tennessee Press
Wilderness
A Tale Of The Civil War
Robert Penn Warren
University of Tennessee Press, 2001
“A moving and disturbing work—one which goes beyond events, to brood upon their meanings.”—Samuel Hynes, New York Times Book Review

In the summer of 1863, Adam Rosenzweig leaves a Bavarian ghetto and sails for the United States to fight for the North in the Civil War. Fired by a revolutionary idealism inherited from his father, he hopes to aid a cause that he believes to be as simple as he knows it to be just.

Over the course of his journey, Adam becomes witness to a world whose complexity does not readily conform to his ideals of liberty. When his twisted foot attracts unwanted attention on his voyage to America, he is threatened with return to Europe. He jumps ship in New York, only to be caught up in the violence and horror of the anti-draft riots. Eventually he reaches the Union Army, serving not as a soldier but as a civilian provisioner’s assistant. Adam’s encounters with others—among them a wealthy benefactor, a former slave, an exiled Southerner, a bushwacker and his wife—further challenge the absolutism that informs his view of the world and of his place in it.

First published in 1961, Wilderness remains a profoundly provocative meditation on the significance of the Civil War and the varieties of human experience. This new edition of the novel includes an insightful introductory essay by James H. Justus, Distringuished Professor Emeritus at Indiana University and author of The Achievement of Robert Penn Warren.

The Author: Robert Penn Warren (1905–1989)was born in Kentucky and studied at Vanderbilt and Oxford Universities. As a novelist, teacher, poet, and critic, he became one of America’s most celebrated men of letters and the only writer to receive Pulitzer Prizes for both poetry and fiction. In addition to Wilderness, his novels included All the King’s Men, World Enough and Time, and Band of Angels.
[more]


Send via email Share on Facebook Share on Twitter